Art curator Stine Hebert speaks with artist Rose English about her work.
Duration: 60 minutes
East Wing Galleries, Somerset House
Rose English emerged from the Conceptual art, dance and feminist scenes of 1970’s Britain to become one of the most influential performance artists working today. Her uniquely interdisciplinary work combines elements of theatre, circus, opera and poetry to explore themes of gender politics, the identity of the performer and the metaphysics of presence.
English has mounted performances in ice rinks; at the Royal Court Theatre and Tate Britain, London and Franklin Furnace, New York; and collaborated with horses, magicians and acrobats. Her work ranges from her site-specific performances and collaborations of the 1970s including Quadrille, Berlin and Mounting, her acclaimed solos of the 1980s including Plato’s Chair and The Beloved to her large scale spectaculars of the 1990s including Walks on Water, The Double Wedding and Tantamount Esperance. Her internationally celebrated solo with a horse – My Mathematics – was produced Cultural Industry and a series of vignettes with horses were presented by The Banff Centre, Canada and The Serpentine Gallery, London. Ornamental Happiness – a show in song and circus opened the Liverpool Biennial of Contemporary Art in 2006 followed by Flagrant Wisdom, commissioned by National Glass Centre in 2009. English co-wrote and designed the feature film The Gold Diggers, 1983 directed by Sally Potter; digitally re-mastered and released on BFI DVD in 2009.
English’s performance works of the 1970s featured in the exhibition WACK! Art and the Feminist Revolution at the Museum of Contemporary Art, Los Angeles 2007. Her installation Quadrille was shown at Freize Masters, London, 2013 with Karsten Schubert, and is now part of the Tate collection. Recent solo exhibitions include The Eros of Understanding, 2014 at Kunsthal Charlottenborg, Copenhagen and A Premonition of the Act, 2015 at Camden Arts Centre, London.
Stine Hebert is a curator and educator currently working as the dean of The Academy of Fine Art in Oslo, Norway. She previously held positions as curator at Kunsthal Charlottenborg, acting director of BAC -Baltic Art Center, rector of Funen Art Academy, and curator at Malmö Art Museum. Hebert has also practiced as a freelance curator for a number of years with an interest in self-organisation and explorations around the conditions of artistic production and has taught at several art academies across the Nordic countries.